Blur - Song 2 (Eddie G PS Project Remix) VIDEO
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The song gained popularity for its music video, directed by Mark Pellington and released in 1992, which received heavy rotation by MTV and became a hit. The original music video for \"Jeremy\" was directed and produced by Chris Cuffaro. Epic Records and MTV later rejected the music video, and released the version directed by Pellington instead. In 1993, the \"Jeremy\" video was awarded four MTV Video Music Awards, including Best Video of the Year.[8]
In July 1991, Vedder became acquainted with photographer Chris Cuffaro. Vedder suggested Cuffaro film a music video for the band. On Vedder's insistence, Epic gave Cuffaro permission to use any song off Ten. He chose \"Jeremy\", which was not intended to be released as a single at the time.[21] Epic refused to fund the clip, forcing Cuffaro to finance it himself.[22]
Pellington's original video shows Jeremy putting the gun in his mouth at the climax, but this ran afoul of MTV restrictions on violent imagery, so the weapon was cropped out of the shot by zooming in on the upper part of Jeremy's face.[30] The ambiguity created by the gun being unseen, combined with the subsequent shot of the defensive posture of Jeremy's classmates and the large amount of blood on them, ironically led many viewers to believe that the video ended with Jeremy shooting his classmates, not himself.[30] In 1997, Rolling Stone described the song and video as depicting an unpopular student bringing a gun to class and shooting people.[32] Pellington himself dismisses this interpretation of the video.[30] He said, \"Probably the greatest frustration I've ever had is that the ending is sometimes misinterpreted as that he shot his classmates. The idea is, that's his blood on them, and they're frozen at the moment of looking.\"[30]
After \"Jeremy\", Pearl Jam backed away from making music videos. \"Ten years from now,\" Ament said, \"I don't want people to remember our songs as videos.\"[34] The band did not release another video until 1998's \"Do the Evolution\", which is entirely animated.[citation needed]
The uncensored version of the video was remastered in high definition and released on Pearl Jam's official YouTube channel on June 5, 2020, to mark National Gun Violence Awareness Day.[36][37] The remastered version also features a new audio track, remixed by Brendan O'Brien for the 2009 reissue of Ten.[38] This version was shown as part of VH1 Classic's retrospective Pearl Jam Ten Revisited, which coincided with the album's rerelease.
\"Jeremy\" was first performed live by Pearl Jam on May 17, 1991, at the Off Ramp Café in Seattle, Washington.[39] The band's 1992 appearance on MTV Unplugged included a performance of the song. At the 1992 MTV Video Music Awards, the band had intended to play the Dead Boys song \"Sonic Reducer\", but MTV insisted on \"Jeremy\", since the video was in heavy rotation (although it had been released after the deadline for that year's awards). At the end of the intense performance, however, Vedder managed to sneak in a reference to \"Sonic Reducer\" by singing that song's first line: \"I don't need no ... I don't need no mom and dad.\"[40]
Made up of two long tracks that periodically build and release for forty minutes over two sides of an LP it's an improvised masterpiece combining Afrocentric spiritual soul, jazz, poetry, amazing solos, a tasty bass line or two and more than a fair share of funky beats. It's also one of the earliest jazz albums to feature rapping. \"I called the project Black Renaissance because that is what I wanted to see happen - especially in music. I describe it as Dixieland circa 1976 - by the end of the songs everyone is playing together.\"
In August 2017 I was 5 months sober and DIIV hadnt played a show in almost a year. Our friend Ric helped us set up an intimate acoustic show in a theater in our hometown of brooklyn. We decorated the stage with stuff from our houses and played our home videos on a tv. We invited our friends and family and played some songs from our first two albums and some other artists songs that felt important to us as a band. It felt like some kind of reset. We recorded the show and forgot about it for a bunch of years. We recently found the recordings and thought people might want to hear them. I think of it as a kind of official bootleg I guess. Our friend Jarvis mixed it and our friends Parker and Jim made the art. enjoy. Zachary Cole Smith
Group Therapy is the third studio album by American nu metal band Dope. The enhanced portion of the album contains a music video for each song. Group Therapy shows the band expanding on the more alternative metal style music the band had started on their previous album, Life, and most of the industrial style music has been toned down. The album contains some of the band's most heavy and aggressive songs while certain songs such as \"Sing\", \"Another Day Goes By\" and \"Easier\" show a softer, more melodic sound. In the second half of 2004 the album had already sold about 37,749 in United States. \"Now is the Time\" was used in an episode of Dog the Bounty Hunter.20th Anniversary release.1.\"Falling Away\" 2.\"Bitch\" 3.\"I Am\" 4.\"Motivation\" 5.\"Sing\" 6.\"Now Is the Time\" 7.\"Paranoia\"8.\"Bring It On\" 9.\"Another Day Goes By\" 10.\"Today Is the Day\" 11.\"Burn\" 12.\"Easier\" 13.\"So Low\"
2005's Mechanical Hand fine-tunes Horse the Band's entire operation. Erik Engstrom's keyboard still guides these songs, and often recalls the mechanistic, gawky robot feel of '80s video game music. But Engstrom and Horse the Band recall the 1980s in general, too. \"Manateen\" is incredible. It starts out by ripping off the same tubular Duran Duran groove that's responsible for the Killers, but shifts garishly into an angular post-hardcore screech, like a noisier version of what Fugazi were doing at decade's end. Horse aren't finished. \"Manateen\" goes on to crash soft synth melodies into righteous hardcore, and despite these jarring parts and sounds, Mechanical Hand never sounds as fragmented as R. Borlax. The experiments continue. Arrows whiz by, men scream, and drawn swords rattle over the rolling snare of \"Heroes Die\"'s intro; it soon becomes a monolithic metal trudge. Shades of Iron Maiden, Brainiac, White Zombie, Converge, Dig Dug, and Mario Cart bare their teeth on \"House of God\" and \"Octopus on Fire\"; the keyboard stabs away, the guitars ring with something approaching anthemic or at least thickheaded glory, and Nathan Winneke's vocals go from yowl to growl to snark in the twist of an elbow1. Birdo 2. A Million Exploding Suns 3. Manateen 4. The House of Boo 5.Heroes Die 6. Softer Sounds 7. Octopus on Fire 8. Soaring Quails 9. Taken by Vultures 10. A Rusty Glove 11. Sand 12. Lord Gold Throneroom 13. The Black Hole
By the time Ivys second album, Apartment Life, was released in 1997 Andy Chase, Dominique Durand and Adam Schlesinger had already established themselves as familiar faces on the indie scene. They had already toured the country opening for Edwin Collins and Lloyd Cole and bassist Adam Schlesinger was enjoying success with his side project, Fountains of Wayne. Heres Apartment Life like youve never heard it before. The bands studio demos for each song with all of the sneezes and giggles preserved.The Best Thing (Demo), I've Got a Feeling (Demo), This Is The Day (Demo), Never Do That Again (Demo), I Get The Message (Demo), Baker (Demo), You Don't Know Anything (Demo), Ba Ba Ba (Demo), Get Out Of The City (Demo), These Are The Things About You (Demo), Quick Painless And Easy (Demo), Back In Our Town (Demo), Sleeping Late (Bonus Track) (Demo)
An exclusive 8 song 12\" EP celebrating the 20th anniversary of Madonna's American Life album and honoring the life and work of Peter Rauhofer, who created unforgettable remixes for Madonna and many other artists for over two decades. On 180g vinyl, limited to 17,000 worldwide.
Produced by Hernan Don Camel Sforzini, the collection of songs on Sly & Robbie vs. Roots Radics: The Dub Battle, is a perfect pairing of might and creativity. These recordings can only be described as a Dub Clash, or as Roger Stefans calls it in the liner notes: Dub Dubstock. Taking the concept of pairing some of the greatest roots artists with some of the genres most beloved Dub artists adds a new dimension to the legacy of everyone involved, and serves as an epitaph to the careers of Toots Hibbert, Lee Scratch Perry, and Bunny Striker Lee. These recently departed legendary dub artists join in the enduring sounds of unreleased 70s productions from Osbourne Ruddock aka King Tubby who contributes to the project more than 30 years after his untimely demise.Released on vinyl for the first time. 1. Dub Morning (Scientist Dub) Sly & Robbie, Scientist feat. Mykal Rose 2. Dubterior Motives (King Jammy Dub) Roots Radics, King Jammy feat. Brinsley Forde 3. Dub My Mind (Bunny \"Striker\" Lee Dub) Sly & Robbie, Bunny Lee feat. The Mighty Diamonds 4. Dub Glory (Mad Professor Dub) Roots Radics, Mad Professor feat. Freddie McGregor 5. Mind Your Dub (Don Camel Dub) Sly & Robbie, Don Camel feat. Horace Andy 6. Gwan Dub Up Yuh Mouth (Mad Professor Dub) Roots Radics, Mad Professor feat. Pablo Moses 7. Full Dub, Plant a Tree (Don Camel Dub) Sly & Robbie, Don Camel feat. Lee \"Scratch\" Perry, Addis Pablo 8. The Gates of Dub (Lee \"Scratch\" Perry Dub) Roots Radics, Lee \"Scratch\" Perry feat. Max Romeo 9. Argentina Dub (Dennis Bovell Dub) Sly & Robbie, Dennis Bovell feat. Ken Boothe 10. Dub Must Get Better (Don Camel Dub) Roots Radics, Don Camel feat. The Congos 11. Make a Dub (Scientist Dub) Sly & Robbie, Scientist feat. Luciano 12. Dub to You (King Jammy Dub) Roots Radics, King Jammy feat. Toots & the Maytals 13. Dub It to the Max (King Tubby Dub) Sly & Robbie, King Tubby 14. Radical Dub Mix (King Tubby Dub) Roots Radics feat. King Tubby 15. (bonus track/vinyl only) Sunshine Girl - Sly and Robbie feat Big Youth 16. (bonus track/vinyl only) Coming of Jah Jah - Roots Radics feat U-Roy 781b155fdc